All the things; a curriculum vitae

​🍎 Teaching Experience

— Faculty, Mountain School of Arts, Los Angeles (2008–Present)

— Lead Faculty, Critical Art Writing Ensemble, Banff Centre, Banff, Canada (2015–2018)

— Visiting Faculty, Banff Centre, Banff, Canada (2013)

— Visiting Professor, School of Cultural Studies, Southern California Institute of Architecture (SCI-Arc) (2007–2008)

— Lecturer, Department of Humanities, California Design College, Los Angeles (2007–2008)

— Adjunct Professor, Department of English, Los Angeles City College (2007)

— Graduate Instructor, School of Critical Studies, California Institute of the Arts (CalArts) (2006)

​✍️ Editorial 

— Co-founder and Editor-in-Chief, Bay Art Agenda, San Francisco, CA (2023–Present)

— Los Angeles Editor, Mousse Magazine, Milan, IT (2008–2022)

— Contributing Editor, Momus (2014–2021)

— Contributing Editor, Art-Agenda (2014–2019)

— Co-Founder and Editor, The Art Book Review, Los Angeles, CA (2012–2016)

— Deputy Editor, ArtSlant, Los Angeles, CA (2009–2014)

— Editor, Museum of Contemporary Art, Los Angeles, CA (2012–2014)

— Editorial Assistant, Semiotext(e), Los Angeles, CA (2006–2008)

— Editorial Assistant, Afterall Journal, Valencia, CA (2005–2006)

​🏛️ Gallery and Curatorial Positions

— Curator & Co-Founder, Private Practice Residency, MobileCoinArt (2021–2023)

— Adjunct Curator, LA><ART, Los Angeles, CA (2010–2011)

— Assistant Curator, Armory Center for the Arts, Pasadena, CA (2007–2009)

— Archivist, China Art Objects Galleries, Los Angeles, CA (2006–2007)

​🏅 Prizes and Grants

— Artist Relief Grant, United States Artists (2022)
— Red Bull Detroit Writer’s Grant (2019)
— 221A Curatorial Resident Grant, Vancouver (2015)
— Grant for the International Research Programme, Danish Arts Foundation (2015)
— Andy Warhol / Creative Capital Arts Writers Grant, Short-form Writing (2013)
— Finalist, Premio Lorenzo Bonaldi – Enter Prize for Young Curators, GAMeC, Bergamo, Italy (2013)
— Focus: Institut Français Curatorial Travel Grant, Paris & Lyon, France (2011)
— ARTIS Curatorial Research Grant (2011)

​📝 Writing

​

Books 

Colors

Not a Cult Media, Los Angeles, CA, 2023. 

Publisher’s note:

Color beams at us from the everyday, but within each of the ten million shades are hidden our best and worst stories. Written over more than a decade, Colors is a collection of lush short texts that move through a spectrum of vignettes, drawing inspiration from Italo Calvino’s Invisible Cities and David Bowie’s Sound and Vision, and arriving at color’s fundamental intersection with memory, identity, and lived experience.

Relics: Danh Vo

Mousse Publishing, Milan, Italy, 2015. 

Publisher’s note:

“A relic is what remains, what’s left over.” In this memoir once removed, Andrew Berardini journeys into the work of Danh Vo to trace how historical forces take shape within individual lives. Inspired by an exhibition never realized in Mexico City, Relics weaves personal narrative and art criticism, moving through images and fragments that include a sexy Statue of Liberty, the head of a decapitated martyr, the collapse of the American labor movement, John Keats’s tombstone, the holy trinity glimpsed in a license plate, the ravages of war, a battered encyclopedia, a terrorist’s typewriter, and the history of saints in a boy’s wing. Through Vo’s work, Berardini explores how art and poetry give voice to history’s shadows—and how, in turn, we make our own stories.

Book Contributions

2023

— “Introduction,” Giovanni Intra: Clinic of Phantasm: Writings 1994–2002, Semiotext(e), Los Angeles / New York.

2022

— “First, you pass through a canyon…,” in AMIRI: Wes Lang, edited by Erik Hart and Tatiana Leshkina, Rizzoli, New York.

— “Travels in Tote Stadt: On the Work of Gregor Schneider,” in Gregor Schneider: Tote Räume, West Den Haag, The Hague.

— “The Layered Strata of Explosions and Natural Phenomena,” in Martin Werthmann: Catastrophe as Space, Hirmer Verlag, Munich.

— Essay, Bownik: Undercoat, edited by Magdalena Ziółkowska, Central Museum of Textiles / Hatje Cantz, Łódź / Berlin.

2021

— “Mermaid Physics: The Myths of Emilija Škarnulytė,” in Emilija Škarnulytė: Sirenomelia, Sternberg Press, Berlin.

— “Unboxing Machteld Rullens,” in Machteld Rullens: Full of Emptiness, Zolo Press, Mexico City.

— “Swimming Pool Blue,” in Swimming Pool: Troubled Waters, Künstlerhaus Bethanien, Berlin.

— Essay, La mer imaginaire, edited by Chris Sharp, Jean Boîte Éditions / Fondation Carmignac, Paris.

2020

— Kevin McNamee-Tweed: Ceramic Paintings, Steve Turner Publishers, Los Angeles.

— Text (with Geoff Tuck), The Book of Record of the Palm Capsule Designed for Resisting the Effects of Time, edited by Christian Mayer, Mark Pezinger Books (Black Forest Library no. 3), Vienna.

— “Yoshua Okón,” in Yoshua Okón, with Chiara Arroyo Cella and Guillermo J. Fadanelli, Landucci / Kaufmann Repetto, Milan / New York.

2019

— “The Cosmic Mathematics of Alexander Calder,” in Calder: Nonspace, Hauser & Wirth Publishers.

— “Bruised Reveries: Driving in Los Angeles with Laure Prouvost,” in Deep See Blue Surrounding You: Laure Prouvost, French Pavilion, 58th International Art Exhibition – La Biennale di Venezia, Flammarion, Paris.

— Essay, Kris Lemsalu: Birth V – Hi and Bye (Estonian Pavilion, 58th International Art Exhibition – La Biennale di Venezia), edited by Maria Arusoo and Kris Lemsalu, Mousse Publishing / Estonian Centre for Contemporary Art, Milan / Tallinn.

— Bernd Oppl: Hidden Room, Kunstraum Dornbirn / Vorarlberger Museumsverein (VMFK), Dornbirn / Vienna.

— Jesper Just: Servitudes. Circuits. Interpassivities., MAAT, Lisbon, and Kunsthal Charlottenborg, Copenhagen / Mousse Publishing.

— Psychedelic Healing Center, Essex Flowers, New York (exhibition brochure).

— “The Ballad of Marnie Weber,” in Twisted Refrain: The Work of Marnie Weber, Pasadena City College (exhibition brochure).

— “A Worn T-Shirt and Expressions of the Inexpressible,” TextWork, Fondation Pernod Ricard, Paris.

2017

— “It’s Yesterday and Tomorrow…,” in HALLUCINATIONS / LIVE / CINEMA / FESTIVAL: HALLUCINATIONS #1–5, documenta 14.

— “Every House I’ve Ever Lived in Drawn from Memory / All My Failed Utopias Have Brought Me to This,” in Alex Morrison: Phantoms of a Utopian Will / Like Most Follies, More Than a Joke & More Than a Whim, Burnaby Art Gallery / Motto Books, Vancouver / Berlin.

— “Brian Bress,” in 15th Biennial of Moving Images, Centre d’Art Contemporain Genève / Mousse Publishing.

— Michael Dopp: Swizzle, Hesse Press.

— “The Dreamy Cosmogonies of Naufus Ramírez-Figueroa,” in Naufus Ramírez-Figueroa: Two Flamingos Copulating on a Tin Roof, Kunstmuseen Krefeld.

— “On Exactitude in Science,” in Nicolas Baier, Galerie Division, Toronto / Montreal.

— Bob & Bob: 40 Months 40 Stories, M.I.T.B. Books, Santa Monica.

— “Bownik,” Foam Magazine no. 49, Back to the Future, Amsterdam.

2016

— “Twelve Romantic Encounters,” in Vancouver Special: Ambivalent Pleasures, Vancouver Art Gallery / Black Dog Publishing, Vancouver / London.

— “Philip Guston’s The Red Sea,” in The Collection, San Francisco Museum of Modern Art, San Francisco.

— “The Skyline Beckons,” in Wanda Koop: In Absentia, Division Gallery, Toronto.

— “Memory Power,” in The Search Drive: A Hack-ography, edited by Warren Neidich, Motto Books, Berlin.

— “Choose Your Own Adventure: Notes and Meditations on a Few Works by Neil Beloufa,” in Artes Mundi 7, Cardiff.

— “I See a Man Chasing the Horizon,” in No Visible Horizon: 40 Years of Walter Phillips Gallery, Walter Phillips Gallery, Banff.

— “The Elusive Ecstasy of Beauty and the Possibility of Freedom,” in Ryan McGinley: Four Seasons, GAMEC, Bergamo.

— “Or, a Vision in a Dream. A Fragment,” in An Te Liu, Black Dog Publishing, London.

— “Ry Rocklen,” in Wasteland: New Art from Los Angeles, LAND (Los Angeles Nomadic Division).

— “Introduction,” in The Inborn Absolute: The Art of Robert Ryan, Featherproof Press, Chicago.

— “I Wandered Lonely as a Cloud: Flaka Haliti,” in Ars Viva 2016, Hatje Cantz, Berlin.

— “Political Moonlight,” Ruth Nemet, BQ Gallery Berlin (exhibition brochure).

2015

— “Foreword,” ABCs for Ten Seconds Ago, Sterling Bartlett.

— “Letter to a Disorganized Poet,” UH OH: Frances Stark 1991–2015, Hammer Museum / Prestel.

— Feelings: Soft Art, Skira Rizzoli.

— “Every House I’ve Ever Lived in Drawn From Memory / All My Failed Utopias Have Brought Me to This,” Alex Morrison: Phantoms of a Utopian Will / Like Most Follies, More Than a Joke and More Than a Whim, Burnaby Art Gallery / Simon Fraser University Art Gallery, Vancouver.

— “The City of Glass,” Xavier Veilhan, Galerie Perrotin, Paris.

— “DO NOT TIRE. EVERYTHING IS OPEN: On Robert Motherwell,” Paul Kasmin Gallery.

— “Cory, Cory, Cory,” Cory Arcangel: This Is All So Crazy, GAMEC, Bergamo.

— “Nose Job,” Art and Olfaction Awards, Institute for Art and Olfaction, Los Angeles.

— WOW! Alice Konitz and Sonia Leimer, Galerie nächst St. Stephan – Rosemarie Schwarzwälder, Vienna.

— Blow Job (Two Images): Brian Kennon & Bobbi Woods, Motto, Berlin.

— Contribution, Animal Shelter, Issue 4, edited by Hedi El Kholti and Robert Dewhurst, Semiotext(e), Los Angeles.

2014

— “Hand in Glove,” Make.A.Match, Revolver Verlag.

— “Battle Painting,” Leander Schwazer: Bikini, Museion, Bolzano.

— “Home Is the Place You Left,” Biography: Elmgreen & Dragset, Astrup Fearnley Museet, Oslo.

— “Your looks are laughable / Unphotographable / Yet you’re my favorite work of art,” Sarah Anne Johnson: Wonderland, CAM Raleigh.

— On Record, with Piero Golia, Gagosian, edition of 1.

— “Taxidermy,” Bownik — Disassembly, Mundin, Warsaw.

2013

— Who’s in a Name?, edited by Susan Silton; biographies on Pierre Molinier, Margie Schibbe, Unica Zürn, Kim Schoen, Christine Pflug, Marcus Civin, Watanabe Kazin, Lisa Anne Auerbach, Pat O’Neill, and Richard Matthews.

— “Flora and Fauna: Nádia Rodrigues Ribeiro,” BES Revelação 2013, Serralves Museum, Porto.

— “Three Letters: Vanessa Safavi, Naufus Ramírez-Figueroa, Santo Tolone,” One Torino, Artissima / Castello di Rivoli / Fondazione Merz / Fondazione Sandretto Re Rebaudengo / Palazzo Cavour.

— “Epistle,” Privata Vanitas: Luigi Presicce, A+Mbookstore, Milan.

2012

— “The Life, Adventures and Unparalleled Sufferings of Michael Fliri, Artist,” Michael Fliri, Folio Verlag.

— “This Is a Crossword Puzzle,” Compilation of Translations: One Year at Ludlow 38, edited by Clara Meister, Sternberg Press.

— “She Comes in Colors,” Sarah Cain, LAND, Los Angeles.

— “Firstly, Eric and Kathleen and Devin and Giles and (((Dawn))) and then Ariel and Jason and Geneva and Giles and Simon and Daniela et al.,” 2012 Whitney Biennial, Whitney Museum of American Art, New York.

— “This Is a Crossword Puzzle: Natalie Czech – Ludlow 38,” Sternberg Press, Berlin.

— “Five Courses I Witnessed at Art School,” Draw It with Your Eyes Closed: The Art of the Art Assignment, Paper Monument, New York.

— “The Brightest Stars for the Construction of Mechanical Clocks (for Christian Marclay),” commissioned by ForYourArt.

2011

— Michele O’Marah: Video Portraits and Home Show Revisited, Museum of Contemporary Art Santa Barbara.

— “Spread. Succumb. Get Into the Picture: This Will Eventually Become an Essay About Brian Kennon,” Succumb (Documents Remain), artist’s book with Brian Kennon, 2nd Floor Projects, San Francisco.

— “Set-Piece: The Spaces of Ginger Wolfe-Suarez,” Ginger Wolfe-Suarez: Proximetric, Glendale College Art Gallery, Glendale, CA.

— Catalogue contribution, Projects in Assignment, Saprophyt, Vienna.

— Friedrich Kunath: The Most Beautiful World in the World, with Sarah Lehrer-Graiwer, White Cube, London.

— “The Thrill of Permanently Unrealized Transgression: The Recent Work of Charlie White,” Singapore Biennale 2011: Open House, exhibition catalogue.

— Get In, with Brian Kennon, 2nd Cannons, Los Angeles.

— “Jay Tucker’s Nudies,” Night Gallery, Los Angeles, exhibition brochure.

— Contributing essay, 5 Years: The Mountain School of Art.

— Colophon essay and marginalia, Desert Interviews: Piero Golia, JRP|Ringier with the Jumex Foundation and Collection.

— “Violating the Documentary,” Zoe Crosher: The Unravelling of Michelle duBois, Aperture.

2010

— “Greetings from Beautiful Ader Falls,” Bas Jan Ader: Suspended Between Laughter and Tears, Pitzer Art Galleries / Claremont Museum of Art, Claremont, CA.

— Essay, Yoshua Okón: US, Museo Carrillo Gil / Yerba Buena Center for the Arts.

— Essay, “Let Me Fall Out of the Window with Confetti in My Hair,” All Time Greatest, Fellows of Contemporary Art, Los Angeles.

— Essay, “Leave the Land Alone,” Cornerstones, Witte de With Contemporary Art Center / University of Amsterdam Press.

— Ten short essays, Frieze Yearbook, London; on Marlo Pascual, Mark Hagen, AIDS-3D, Frank Haines, Mateo López, Benjamin Butler, Tercerunquinto, Jessica Jackson Hutchins, Kerstin von Gabain, Bojan Sarčević.

— “Things I Learned from Books,” Robert Russell: Masters, François Ghebaly Gallery, exhibition brochure.

— “A Dozen or So Lonesome Strangers in the City of Cars,” Baker’s Dozen, Torrance Art Museum, exhibition catalogue.

— Contribution, Rotterdam Dialogues: The Critics, The Curators, The Artists, edited by Zoë Gray et al., Witte de With Publishers / Post Editions, Rotterdam.

2009

— Essay, I Like Your Work: Etiquette and Art, Paper Monument, New York, NY.

— Essay, Camilo Ontiveros: Deportables, exhibition brochure, Armory Center for the Arts, Pasadena, CA.

— Essay, “Leave the Land Alone,” Bruce Nauman: Untitled (Leave the Land Alone) 1969/2009, Armory Center for the Arts, Pasadena, CA.

— Interview and editor, Hipnostasis: Raymond Pettibon and Yoshua Okón, Armory Center for the Arts, Pasadena, CA.

— Contribution, Pep Talk, Issue 3, edited by Sarah Lehrer-Graiwer, Pep Talk, Los Angeles.

2008

— Essay, “Introduction,” Check-In: Architecture Reader, Milan, Italy.

— Catalogue essay, “After-School Drama: The State of Young Painting in Los Angeles,” LA Potential, Basis Wien, Vienna, Austria.

— Interview with Piero Golia, 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA.

— “Narration,” Lost (in LA), Public Fiction / French Los Angeles Exchange, Los Angeles, CA.

— “A Small Bouquet of Diamonds,” Natalie Czech: Hidden Poems, Kunstverein Langenhagen, Germany.

— “Wars of Memory,” Valeveil: Ready, Able, Sweden.

— “City of Mirrors,” MYTTHM, edited by Trinie Dalton, Picture Box Books, New York, NY.

— “The Immense Edifice of Memory,” Five Senses: 107th St., collaboration with Alexandra Grant, Watts House Project, Watts, CA.

​Essays, Reviews, and Articles 

2025

— December, “Tacky Delights: Revisiting Art Basel Miami Beach,” Diary, Artforum.

— November, “Houston: Building a City Then Running It,” Diary, Artforum.

—October, “Let’s Talk About Artificial Intelligence Art English,” Mousse Magazine # 93.

— September, “Tangled Memories: On Memory and Loss in the Work of Ali Eyal,” Feature (print), Artforum.

— September, “Erica Vincenzi,” Exhibition review (print), Artforum.

— "'It’s Not Easy Bein’ Green'" - Will Rawls at REDCAT,” August 8, 2025. Performance Art Museum Reviews.

— August, “Once More, with Feeling: On the Opening of SITE SANTA FE’s Newly Reborn International,” Diary, Artforum.

— March, “After the Fires: Seeking Out Signs of Recovery During Frieze Week LA 2025,” Diary, Artforum.

— February, “Sci-fi, Magick, Queer L.A.: Sexual Science and the Imagi-Nation,” Exhibition review (print), Artforum.

— January, “The Fire This Time,” On Site, Artforum.

2024

— December, “Review: Larry Johnson and Hedi El Kholti,” Artforum.

— September, “Review: Day Jobs at the Cantor Arts Center,” Artforum.

— May, “Review: Trulee Hall at François Ghebaly,” Artforum.

— February, “The Fog at Bay: Andrew Berardini Visits FOG Design + Art,” Diary, Artforum.

— Spring, “Objects in the Mirror Are Closer Than They Appear: Reflections on Samara Golden,” The Nasher Magazine.

2022-3
— January, “Review: Genesis Belanger at Ghebaly,” Artforum.
— July, “The Floral Fantasias and Pop Potentials of Malle Leis,” A Shade Colder.
— June, “Andrew Berardini at the RenBen 2022,” Diary, Artforum.
— June, “The Way Through Doors: Fiona Conner,” Contemporary HUM.
— April, “Andrew Berardini at the 59th Venice Biennale,” Column, Artforum.
— April, “Eyes Wide Shut,” Diary, Artforum.
— March, “Like a Virgin,” Diary, Artforum.
— “On Jon Pylypchuk’s Ghosts,” Border Crossings.

2021
— December, “Review: Aria Dean at REDCAT,” Artforum.
— July, “Review: Rakeem Cunningham at OCHI PROJECTS,” Artforum.
— May, “Review: Samara Golden at Night Gallery,” Artforum.
— April, “Andrew Berardini on Desert X 2021,” Artforum.
— April, “Slippery Dancefloors & Somatic Promiscuities: On Emma McIntyre,” Artnow.nz.
— April, “Captured & Released: Mark McKnight,” Mousse 75.
— January, “Review: Isabelle Albuquerque at Nicodim,” Artforum.

2020
— December, “Review: Alexis Smith at Parrasch Heijnen,” Artforum.
— October, “A Melancholic Dance of Joy, One Cut at a Time: Hedi El Kholti,” Mousse 73.
— July, “Last Night a DJ Saved My Life: On Art and Survival,” Momus.ca.
— April, “The Spiraled Heart of Abandoned Things: Ann Greene Kelly,” Mousse 71.
— March, “Feature: Close-Up/Inside-Out: On John Boskovich’s Boskostudio 1996–2006,” Artforum.
— January, “Review: Lutz Bacher at UC, Irvine,” Artforum.
— January, “John Baldessari Is Powerful (Cover),” Art Review.

2019
— December, “Review: Dylan Mira at Paul Soto,” Artforum.
— October, “The Orgasmic Capacity of Color: Judy Chicago’s Los Angeles,” Momus.ca.
— Fall, “Nairy Bahgramian: Lean on Me,” Mousse #69.
— September, “Critic’s Pick: Lenz Geerk at Roberts Projects,” Artforum.
— Summer, “Review: Alexa Guarglia,” Artforum.
— Summer, “The Curious Lamps of Carmen D’Apollonio,” RIKA No. 19.
— Summer, “Genesis Belanger: Mouthy Pleasures and Purgatorial Soothers,” Mousse #68.
— Spring, “Mare Vint: Secret Gardens,” Mousse #67.
— April, “Madrid Roundup,” Art-Agenda.
— March, “Review: Jennifer Bolande,” Artforum.
— Winter, “Helen Lundeberg: Enigma Variations,” Mousse #66.
— January, “Previews: Jonas Wood,” Artforum.

2018

— December, “Critic’s Pick: Max Hooper Schneider at Jenny’s,” Artforum.

— November, “Review: Young Joon Kwak,” Canadian Art.

— Fall, “The Myth of Succulent Concrete: The Sculptures of Kathleen Ryan,” Mousse #65.

— August, “Wealth and Lust in Monaco: The Sensuous Illusions of Tom Wesselmann,” Momus.ca.

— July, “Jaou Tunis 2018,” Art-Agenda.

— June, “Kris Lemsalu: Punk Pagan Trickster Feminist Sci-fi Shaman,” Mousse #64.

— June, “Diary: Soft Ruins, Athens,” Artforum.

— May, “Peter Shire’s Drawings, Impossible Teapots, Furniture & Sculpture,” Art-Agenda.

— May, “Critic’s Pick: Stephen Neidich and Steve Hash,” Artforum.

— May, “Diary: Pretty Paper, Los Angeles,” Artforum.

— May, “Critic’s Pick: Chris Kraus,” Artforum.

— May, “How to Make Art History,” Momus.ca.

— April, “How to Stop Working Better,” Momus.ca.

— February, “pascALEjandro’s Alchemical Love,” Art-Agenda.

— February, “How to Toil in Obscurity,” Momus.ca.

— February, “Costume Drama: Simphiwe Ndzube,” Mousse #62.

2017

— December, “Darkling Futures and Desert Hangover at the New SITE Santa Fe,” Momus.ca.

— November, “Elaine Cameron-Weir’s wave form walks the earth,” Art-Agenda.

— November, “Review: Lucie Stahl,” Artforum.

— October, “Sofia Stevi: Veiled or Unfurled, Love-Stained and Soft, Stiff with Color,” Mousse #60.

— Summer, “Weeping, Dreaming, Fucking, Laughing: This Is How Some Revolution’s Get Started,” Mousse #59.

— July, “How to Act Ethically in Art,” Momus.ca.

— June, “Brian Bress’s In Lieu of Flowers Send Memes,” Art-Agenda.

— June, “Everyone’s Heart Is Full of Fire: A Portrait of Martha Kirszenbaum, Curator,” Momus.ca.

— May, “Diary: Doctored Octopus,” Artforum.

— May, “She Comes in Colors: A Portrait of Sarah Cain,” Momus.ca.

— April, “Critic’s Picks: Lila de Magalhaes,” Artforum.

— March, “Review: Sam Pulitzer and Peter Wachtler,” Artforum.

— March, “How to Write a Review,” Momus.ca.

— “Laura Shill Reveals and Conceals,” WVW Issue 1, Black Cube, Denver.

2016

— December, “‘If I Ventured in the Slipstream’: Tamara Henderson’s Nomadic Encampment at REDCAT,” Momus.ca.

— December, “How to Hang a Picture,” Momus.ca.

— November, “Critic’s Picks: Amalia Pica,” Artforum.

— November, “Marnie Weber’s Chapel of the Moon,” Art-Agenda.

— October, “Ry Rocklen’s L.A. Relics,” BOMB.

— October, “How to FOMO: Missing Out on the Fear of Missing Out,” Momus.ca.

— October, “Critic’s Picks: Toba Khedori,” Artforum.

— October, “Critic’s Picks: Laub,” Artforum.

— October, “Alex Da Corte at Art + Practice / Hammer Museum,” ArtReview.

— October, “Preview: Doug Aitken: Electric Earth at MOCA LA,” Artforum.

— October, “Juliette Blightman at Kunsthalle Bern,” Artforum.

— October, “Floral Patterns,” Mousse #55.

— October, “Stardust Tears: Sojourner Truth Parsons’s Crying in California,” Momus.ca.

— September, “Neil Beloufa at François Ghebaly Gallery,” ArtReview.

— September, “Critic’s Pick: Henry Taylor,” Artforum.

— August, “Critic’s Pick: Omul Negru at Nicodim Gallery,” Artforum.

— August, “Made in LA 2016,” Art-Agenda.

— Summer, “Native North America: Portfolios by Raymond Boisjoly, Tanya Lukin Linklater, and Walter Scott. Conversation between Richard William Hill and Candice Hopkins,” Mousse #54.

— June, “Critic’s Pick: EVERYBODY! COME STAND ON THE ALTAR! at PSSST,” Artforum.

— June, “The Tug of the Earth and the Tug of the Sky: The Writhing Stillness of Agnes Martin,” Momus.ca.

— June, “Critic’s Pick: Rachelle Sawatsky at China Art Objects Galleries,” Artforum.

— June, “Jade,” Hayo 2: East.

— Spring, “Future Food,” Spike Art Quarterly.

— May, “Preview: Made in LA,” Artforum.

— May, “Daniel R. Small Uncovers Hollywood’s Buried Myths,” Modern Painters.

— May, “Review: Ali Prosch at Elephant,” ArtReview.

— May, “How to Become a Curator,” Momus.ca.

— April, “Cheap Sofa Odalisques,” Room With A Review, BICI: Critical Art Writing Ensemble, Banff Centre.

— April, “Review: Matthew Lutz-Kinoy at Freedman Fitzpatrick,” ArtReview.

— April, “The Marriage of Heaven and Hell: Jill Mulleady,” Mousse #53.

— March, “In the Evening: Nights Among Artists in Los Angeles,” Pelican Bomb.

— March, “Review: Julie Weitz at Young Projects,” Artforum.

— March, “Review: Michael Henry Hayden at ACME,” ArtReview.

— March, “How to Be an Unprofessional Artist,” Momus.ca.

— March, “Elaine Cameron-Weir at Venus Over LA,” Artforum.

— March, “Nathaniel Mellors at the Box,” Artforum.

— February, “Diary: Dear John,” Artforum.

— February, “Review: Robert Barry at Thomas Solomon / Bethlehem Baptist Church,” Artforum.

— February, “LA Calling,” BLAU – Die Welt.

— February, “Playtime: Nevine Mahmoud,” Mousse #52.

— January, “Jen DeNike at Anat Ebgi,” ArtReview.

— January, “Future Great: Kelly Akashi,” ArtReview.

— January, “Preview: Tala Madani at CAM St. Louis,” Artforum.

— January, “William Leavitt at Honor Fraser,” Artforum.

— January, “How to See the Invisible,” Momus.ca.

2016

— December, “‘If I Ventured in the Slipstream’: Tamara Henderson’s Nomadic Encampment at REDCAT,” Momus.ca.

— December, “How to Hang a Picture,” Momus.ca.

— November, “Critic’s Picks: Amalia Pica,” Artforum.

— November, “Marnie Weber’s Chapel of the Moon,” Art-Agenda.

— October, “Ry Rocklen’s L.A. Relics,” BOMB.

— October, “How to FOMO: Missing Out on the Fear of Missing Out,” Momus.ca.

— October, “Critic’s Picks: Toba Khedori,” Artforum.

— October, “Critic’s Picks: Laub,” Artforum.

— October, “Alex Da Corte at Art + Practice / Hammer Museum,” ArtReview.

— October, “Preview: Doug Aitken: Electric Earth at MOCA LA,” Artforum.

— October, “Juliette Blightman at Kunsthalle Bern,” Artforum.

— October, “Floral Patterns,” Mousse #55.

— October, “Stardust Tears: Sojourner Truth Parsons’s Crying in California,” Momus.ca.

— September, “Neil Beloufa at François Ghebaly Gallery,” ArtReview.

— September, “Critic’s Pick: Henry Taylor,” Artforum.

— August, “Critic’s Pick: Omul Negru at Nicodim Gallery,” Artforum.

— August, “Made in LA 2016,” Art-Agenda.

— Summer, “Native North America: Portfolios by Raymond Boisjoly, Tanya Lukin Linklater, and Walter Scott. Conversation between Richard William Hill and Candice Hopkins,” Mousse #54.

— June, “Critic’s Pick: EVERYBODY! COME STAND ON THE ALTAR! at PSSST,” Artforum.

— June, “The Tug of the Earth and the Tug of the Sky: The Writhing Stillness of Agnes Martin,” Momus.ca.

— June, “Critic’s Pick: Rachelle Sawatsky at China Art Objects Galleries,” Artforum.

— June, “Jade,” Hayo 2: East.

— Spring, “Future Food,” Spike Art Quarterly.

— May, “Preview: Made in LA,” Artforum.

— May, “Daniel R. Small Uncovers Hollywood’s Buried Myths,” Modern Painters.

— May, “Review: Ali Prosch at Elephant,” ArtReview.

— May, “How to Become a Curator,” Momus.ca.

— April, “Cheap Sofa Odalisques,” Room With A Review, BICI: Critical Art Writing Ensemble, Banff Centre.

— April, “Review: Matthew Lutz-Kinoy at Freedman Fitzpatrick,” ArtReview.

— April, “The Marriage of Heaven and Hell: Jill Mulleady,” Mousse #53.

— March, “In the Evening: Nights Among Artists in Los Angeles,” Pelican Bomb.

— March, “Review: Julie Weitz at Young Projects,” Artforum.

— March, “Review: Michael Henry Hayden at ACME,” ArtReview.

— March, “How to Be an Unprofessional Artist,” Momus.ca.

— March, “Elaine Cameron-Weir at Venus Over LA,” Artforum.

— March, “Nathaniel Mellors at the Box,” Artforum.

— February, “Diary: Dear John,” Artforum.

— February, “Review: Robert Barry at Thomas Solomon / Bethlehem Baptist Church,” Artforum.

— February, “LA Calling,” BLAU – Die Welt.

— February, “Playtime: Nevine Mahmoud,” Mousse #52.

— January, “Jen DeNike at Anat Ebgi,” ArtReview.

— January, “Future Great: Kelly Akashi,” ArtReview.

— January, “Preview: Tala Madani at CAM St. Louis,” Artforum.

— January, “William Leavitt at Honor Fraser,” Artforum.

— January, “How to See the Invisible,” Momus.ca.

2015

— December, “Green Umbrella,” program notes, Los Angeles Philharmonic, Walt Disney Concert Hall.

— December, “Broad’s Way,” ArtReview.

— December, “Richard Hawkins at Richard Telles,” ArtReview.

— December, “Simone Forti at The Box,” Art-Agenda.

— November, “How to Read an Art Magazine,” Momus.ca.

— November, “Diary: Simone Says,” Artforum.

— October, “Illusion and Revelation in the Flatlands: The Paintings of Mernet Larsen,” Mousse #53.

— September, “Ein unverschämtes Museum – Nachrichten,” Die Welt.

— September, “Preview: Diana Thater: The Sympathetic Imagination at LACMA,” Artforum.

— September, “Sarah Cain at Honor Fraser,” ArtReview.

— Autumn, “Views: Jeffrey Vallance, Joe Sola, Corazon del Sol, Tala Madani,” Spike Art Quarterly.

— Fall, “Just a Little Drop of Poison,” White Zinfandel.

— Summer, “Portraits: Lily van der Stokker,” Spike Art Quarterly.

— Summer, “Dear Diary. A Lion’s Meal. A Hungry Look: Leidy Churchman,” Mousse #49.

— Summer, “Doug Aitken,” ArtReview.

— August, “Hermetic Memories: Luna Paiva,” Buenos Aires Review.

— August, “A.L. Steiner’s Personal Archive: Underground Heroes, Everyday Lovers, and Global Catastrophe,” Momus.ca.

— August, “‘New Babylon’ at Roberts & Tilton,” Artforum.

— July, “Sojourner Truth Parsons: I Got Allergies,” Art-Agenda.

— July, “Diary: Rain Dance,” Artforum.

— July, “How to See a Sunset,” Momus.ca.

— June, “Diary: Different Strokes,” Artforum.

— May, “South of the Border / West of the Sun,” Hayo.

— May, “The Inferno We Live in Everyday,” The Brooklyn Rail.

— May, “Birds of America,” Pelican Bomb.

— April, “SOGTFO at François Ghebaly,” ArtReview.

— April, “Critic’s Pick: Ginger Wolfe-Suarez at Diane Rosenstein,” Artforum.

— Summer, “Ochre,” Column, ArtReview.

— April, “Michael Parker at Human Resources,” ArtReview.

— April, “Seduction: Cowle’s Comprehensive Encyclopedia,” Spike.

— April, “Views: Apparitions at the Hammer Museum,” Spike.

— April, “Art About Fucking,” Mousse.

— March, “Michel Auder / Józef Robakowski at Fahrenheit,” Artforum.

— February, “Betty Woodman: Comic Strip Gaze, Cosmic Ship Grays, Ceramic Slip Glaze: from Henri Matisse to Betty Woodman,” Mousse.

— February, “Over the White Cube,” Column, ArtReview.

— February, “Critic’s Pick: Juliette Blightman at KARMA Los Angeles,” Artforum.

— February, “Critic’s Pick: Charles Gaines at the Hammer Museum,” Artforum.

— February, “How to Start an Art School,” Momus.ca.

— February, “The Forgotten Edge,” Terremoto.mx.

— February, “Carnival Barker, Los Angeles,” Artforum.

— February, “Critic’s Pick: Morgan Fisher,” Artforum.

— February, “Trans-Optical: Interview with John Houck,” Artslant.

— January, “Fairways: ALAC, LA Art Book Fair, and Paramount Ranch,” Artslant.

— January, “Word and Image: An Interview with Raymond Pettibon,” Artslant.

— January, “Critic’s Pick: Mike Kuchar at François Ghebaly,” Artforum.

— January, “Review: Brian Bress,” ArtReview.

— January, “Carlos Motta: Archiving Suppression and Pre-Columbian Blow Jobs,” ArtReview.

— January, “Column: Piero Golia’s Chalet,” ArtReview.

— January, “Review: Jonathan Horowitz at 356 Mission,” Artforum.

— January, “Critic’s Pick: Mira Dancy at Night Gallery,” Artforum.

— January, “Critic’s Pick: Helen Johnson at Château Shatto,” Artforum.

— January, “Critic’s Pick: Alma Allen at Blum & Poe,” Artforum.

— January, “In Praise of Good Art Writing,” Momus.ca.

2014

— December, “Denim Blue,” Pants Magazine.

— December, “Column: Peaches & Cream,” ArtReview.

— December, “Review: Lisa Anne Auerbach at Gavlak,” ArtReview.

— November, “Swimming Pool Blue,” ArtReview.

— November, “Diary: Pole Position, Toronto,” Artforum.

— November, “Diary: Close Calls, Turin,” Artforum.

— November, “Fake Till You Make It: A Few Words on Forgery,” Artslant.

— Autumn, “Column on LA Collectives,” ArtReview Asia.

— October, “Diary: Roller Models, Buenos Aires,” Artforum.

— October, “A Cool, Darkling Swirl: Benjamin Millepied’s LA Dance Works at the Ace,” Artslant.

— October, “Transitioning Love Affair: Zach Drucker / Rhys Ernst at Luis De Jesus,” Artslant.

— October, “CalArts to Alleged Rape Victim: How Long Was Your Dress?,” Artslant.

— October, “Copper Pyramid / Promethean Fire: Kathryn Garcia at Harmony Murphy,” Artslant.

— October, “Miranda July’s Curious Handbag,” Artslant.

— October, “WHEN I SEE A TRAIN, I WANT TO TAKE IT IN MY ARMS (on Raymond Pettibon),” The Brooklyn Rail.

— October, “Pieced Together: Kim Fisher and Alice Konitz,” Mousse.

— October, “How to Write About Contemporary Art,” Momus.ca.

— September, “Critic’s Picks: Edgar Arceneaux,” Artforum.

— September, “Diary: Islands in the Stream,” Artforum.

— September, “No Long Lonely (but still maybe a little bit brutal): September Openings in LA,” Artslant.

— September, “Emile Halpern and Andrew Cameron at Samuel Freeman,” ArtReview.

— Summer, “Math Bass: Lies Inside at Overduin & Co., Los Angeles,” ArtReview.

— July, “John Altoon at LACMA,” Artforum.

— July, “‘Contort Yourself’ at Kayne Griffin Corcoran,” Artforum.

— July, “Go West, Los Angeles,” Artforum.

— July, “Obsidian Black,” Artslant.

— July, “David Horvitz,” Art-Agenda.

— June, “The Influentially Lewd Allure of Robert Heinecken,” Mousse.

— June, “Through the Mirror of My Mind: Interview with Samara Golden,” East of Borneo.

— June, “Sunstroked & Rigorous: Some Notes on CalArts,” Art & Education.

— May, “After School,” ArtReview.

— May, “Scott Reeder at 356 S. Mission Road, Los Angeles,” ArtReview.

— Spring, “Bienal de Cartagena,” ArtReview.

— April, “Love Hangover, Los Angeles,” Artforum.

— April, “You Are Free: On Self-Exploitation in Art,” Artslant.

— April, “The empty-handed painter from your streets is drawing crazy patterns on your sheets” (Lisa Williamson, Alex Olson, Laura Owens), Mousse.

— April, “Unruhe Stiften: Christian Rosa,” Die Welt.

— April, “The Fugitive Bruce Conner,” L’Officiel.

— March, “Light Writer: Anthony Pearson at Kordansky,” Artslant.

— March, “The Vitality of the Unknown: The Possible at the Berkeley Art Museum,” Artslant.

— March, “Review: Samara Golden,” ArtReview.

— March, “Perversion Is Bliss,” with Torbjørn Rødland, PARIS, LA.

— February, “Patrick Jackson: Three Levels,” Mousse.

2013

— December, “All Art Is Contemporary: Michael Govan” (interview), Art & Australia, Vol. 51, Issue 2.

— December, “Best of 2013: Los Angeles,” Artforum.

— December, “François Morellet,” ArtReview.

— December, “With Flying Colors: Jon Pestoni,” Mousse.

— November, “Diana Molzan’s La Jennifer,” Art-Agenda.

— October, “Critic’s Pick: David Snyder,” Artforum.

— October, “Alison O’Daniel at Samuel Freeman,” ArtReview.

— October, “Percussive Paintings and Quixotic Cadences: The Travels and Travails of Scoli Acosta,” Mousse.

— September, “Richard Hawkins,” Art Papers.

— September, “Koji Enokura at Blum & Poe,” ArtReview.

— Fall, “Lost in Los Angeles,” PARIS, LA.

— Summer, “Review: Channa Horwitz at François Ghebaly Gallery,” ArtReview.

— Summer, “Preview: Urs Fischer at MOCA,” Artforum.

— July, “Andrew Berardini on Henry P. Bosse,” SFMOMA Open Space.

— July, “Doors of Perception: Stephen Aldahl at Young Art,” Artslant.

— May, “Maroon” and “Jet Black,” Set to Signal.

— May, “The Perfect Love Letter to James Lee Byars,” Mousse.

— May, “Preview: Urs Fischer,” Artforum.

— April, “My Favorite Dirt Roads: The Work of Robert Kinmont,” Mousse.

— April, “Review: Richard Jackson at OCMA,” ArtReview.

— April, “Cover Song: Sam Gilliam at David Kordansky,” Artslant.

— April, “Sheets,” Artslant.

— April, “Guido van der Werve’s Nummer veertien,” Art-Agenda.

— March, “Future Greats: Samara Golden,” ArtReview.

— March, “Laura Owens Paints Us Forward,” LA Weekly.

— March, “Wu Tsang’s Wildness,” introduced by Andrew Berardini, Vdrome.

— February, “A Last Love Letter from a Sunsetting Civilization: JJ Peet at Redling Fine Art,” Artslant.

— February, “Picks: Bernard Piffaretti,” Artforum.

— February, “Tender Doublings and Found Minimalism: Fiona Connor,” Mousse.

— Spring, “Excerpts from the Standard Book of Color,” The Foreign Correspondent, Public Fiction.

2012

— December 27, “Lucy Raven Turns Test Patterns into Art,” LA Weekly.

— December, “Review: Clare Rojas,” ArtReview.

— December, “This Thin Skin Covers All the Rough Pleasures of Being Alive: Robert Overby,” Mousse.

— November, “The Power 100: John Baldessari” (cover), ArtReview.

— November, “Diary: Practical Magic,” Artforum.

— October, “Picks: Miller Updegraff,” Artforum.

— October, “JP Munro at International Art Objects and Gustave Moreau at the Hammer Museum,” LA Weekly.

— October, “Through the Looking Glass: Samara Golden,” Mousse.

— September, “Thomas Houseago” (cover), ArtReview.

— Summer, “The Thoroughly Documented, Marginally Fictional Life of Michel Auder, Artist,” Purple Magazine (Paris).

— June, “Diary: California Uber Alles,” Artforum.

— June, “A Fortuitous Encounter with Color in the Street: Interview with Abraham Cruzvillegas,” Mousse.

— May, “Excerpted from Secret Societies in America,” Public Fiction / MOCA.

— May, “Leigh Ledare,” ArtReview.

— May, “Diary: Los Angeles Plays Itself,” Artforum.

— May, “Diary: Lost Weekend,” Artforum.

— April, “Mike Kelley,” Pasadena Magazine.

— April, “What Is Essential Is Invisible to the Eye: A Few Words on the Work of Robert Barry,” Mousse.

— April, “Leigh Ledare at the Box, Michel Auder at Kayne Griffin Corcoran,” LA Weekly.

— April, “Picks: James Lee Byars,” Artforum.

— April, “John Miller’s New Realities,” Art-Agenda.

— April, “Sheets,” Artslant.

— March, “Mono-ha, the Japanese ‘School of Things,’ at Blum & Poe,” LA Weekly.

— March, “Brian Bress,” ArtReview.

— March, “Picks: Abigail Reynolds,” Artforum.

— March, “Feature: Lutz Bacher: In Pieces and All at Once,” Art in America, Vol. 100, No. 3, pp. 124–131.

— February, “Alina Szapocznikow at the Hammer Museum: Sexy Sculptures of a Forgotten Polish Genius,” LA Weekly.

— February, “Marina Pinsky,” ArtReview.

— February, “Picks: Bernard Piffaretti,” Artforum.

— February, “The Legend of Georgia Fee,” Artslant.

— February, “Future Greats: Brian Kennon,” ArtReview.

— January, “Diary: Growth Spurts,” Artforum.

— “Pacific Standard Time: Art in L.A. 1945–1980” (interview with Peter Frank, Michel Péncréac’h, Yann Perreau), Art Press.

2011

— December, “Diary: Diddy Complex,” Artforum.

— December, “Picks: Julian Hoeber,” Artforum.

— December, “Pacific Standard Time to Night Gallery: The Year in L.A. Art,” LA Weekly.

— December, “Alika Cooper at Eleanor Harwood,” Artforum.

— November, “Raymond Pettibon’s Desire in Pursuit of the Whole,” Art-Agenda.

— November, “Diary: Star Spangled,” Artforum.

— October, “Pacific Standard Time,” ArtReview, issue 53, pp. 110–119.

— October, “Diary: Night Watch,” Artforum.

— October, “Diary: Pork Chops,” Artforum.

— September, “Pacific Standard Time: Celebrating the Freaks and Weirdos of L.A.” (cover), LA Weekly.

— September, “Way Out West,” The Art Newspaper, Vol. 20, No. 228, pp. 43–44.

— September, “Diary: Beer Goggles,” Artforum.

— September, “The Lost Frontier: Llyn Foulkes,” Mousse.

— September, “Pacific Standard Time: Timeline 1945–1980,” LA Weekly.

— August, “Night Gallery, Museum of Public Fiction and Other Eastside Experiments,” LA Weekly.

— July, “Piero Golia at Gagosian,” LA Weekly.

— July, “Doug Aitken: Infinite Regress,” Art in America, Vol. 99, No. 6, pp. 132–137.

— June, “Natural History: Anthony Lepore and Mark Hagen,” LA Weekly.

— May, “Human Nature at LACMA,” LA Weekly.

— April, “Party Favors: The Work of Kathryn Andrews,” Mousse 28.

— April, “Diary: Not Safe for Work,” Artforum.

— March, “Diary: Tour of Duty,” Artforum.

— March, “Christoph Büchel’s Secession Sex Club,” Artslant.

— March, “A Misinterpreted Past Resonates in the Present: Robert Mallary at The Box,” Artslant.

— February, “Marnie Weber: Eternity Forever,” Modern Painters, Vol. 23, No. 1, p. 73.

— February, “Dawn Kasper and Human Resources,” Modern Painters, Vol. 23, No. 1, p. 19.

— February, “Diary: California Dreamin’,” Artforum.

— February, “Los Angeles Plays Itself: Madrid,” Artforum.

— “The ’Pataphysics’ of Dr. …,” Artslant.

2010

— December, “The Letter Writer, Frances Stark” (cover), Mousse.

— December, “Sometimes Laid Out, Young, Depressed, Fucked Up…: Nan Goldin in Berlin,” Style and the Family Tunes (Berlin).

— December, “How to Survive International Art: Notes from the Poverty Jetset,” Momus.

— November, “He Did Not Ring My Head Like a Bell: Reviewing Geoffrey Farmer,” Momus.

— November, “Gymnastics for the Mind: Prefontaine Classic,” Rolling Stone.

— November, “Variable Fashions for Modernist Models: John Baldessari’s The Giacometti Variations,” Muse (Italy).

— November, “Paul McCarthy at L&M,” Artillery.

— November, “West Coast Love Affair: East of Borneo, Magazines, and Los Angeles,” Art Lies.

— October, “Taxonomy: Alex Israel,” Angeleno.

— September, “Preview: Ruben Ochoa at Suzanne Vielmetter,” LA Weekly.

— September, “Preview: Charlie White at LAXART,” LA Weekly.

— September, “Joel Kyack,” ArtReview.

— September, “A Drunk at the Bauhaus Textile Mill: The Work of Mateo Tannatt,” Mousse.

— September, “Interview with Zhang Huan,” Muse (Italy).

— September, “Mike Kelley and Michael Smith at the Farley Building / West of Rome,” Artillery.

— July, “Conversation Between Barbara T. Smith and Simone Forti,” Mousse.

— July, “Mike Bouchet,” Artillery.

— June, “A West Coast Love Affair with Exotic Polynesiana and Contemporary Art,” ArtAsiaPacific.

— June, “Erik Frydenborg,” ArtReview.

— June, “Ketuta Alexi-Meskishvili,” Frieze.

— June, “Inside a Pacific Love Affair” (on Jeffrey Vallance in Polynesia), ArtAsiaPacific.

— April, “Joel Kyack,” Angeleno.

— April, “Via: Phase One, LAND,” ArtReview.

— April, “Drew Heitzler,” Frieze.

— April, “The Infinitude of the Private Man: Joel Kyack’s Messy Makeshift Poetical Individualism,” Mousse.

— April, “Playing at Work: Interview with Brian Bress,” Artslant.

— March, “Getting Deitch’d: Jeffrey Deitch Goes Los Angeles,” Style and the Family Tunes (Berlin).

— March, “Slideshow: Neil Beloufa,” Mousse.

— March, “Diana Molzan,” Frieze.

— February, “Guido van der Werve,” ArtReview.

— February, “A Conversation with Raymond Pettibon,” Artslant.

— February, “Garcia Torres at the Reina Sofía,” Artslant.

— February, “A Few Things I Didn’t See at ARCO 2010 in Madrid, Spain,” Artslant.

— February, “New Worldwide Order,” Artslant.

— Spring, “Pop Life: Tate Modern,” Highlights Greece.

— Spring, “Dan Finsel: Parker Jones Gallery,” Highlights Greece.

— January, “Press Released,” Artslant.

— January, “Appropriative Longing with Mustard and Ketchup: Bobbi Woods at 2nd Cannons,” Artslant.

— January, “An Interview with Joe Sola,” Artslant.

— January, “Going Deitch: Los Angeles,” Artforum.

2009

— December, “Dianna Molzan at Overduin and Kite,” Artslant.

— December, “Roamin’ Holiday: Los Angeles,” Artforum.

— December, “The Trouble, Lately, with Art Criticism: One Suggestion on Saving Art Criticism in Our Newspapers,” Artslant.

— December, “Mas Que Nada: Miami,” Artforum.

— December, “Day One at Miami Basel,” Artslant.

— November, “Thirty Years On: Thirtieth Anniversary at MoCA,” Artslant.

— November, “All of My Work Is Pantomime: Interview with Desirée Holman,” Artslant.

— October, “Jeffrey Vallance at Margo Leavin,” Artslant.

— October, “Chinatown: Open Sundays,” Artslant.

— October, “Scene & Herd: Collector Call,” Artforum.

— October, “Critic’s Picks: Brian Bress,” Artforum.

— October, “Neil Beloufa,” Frieze.

— September, “Interview with Ari Marcopoulos,” Artslant.

— September, “Gustavo Artigas at LAXART,” Artslant.

— September, “Ry Rocklen at Parker Jones,” Artslant.

— September, “Luke Butler at Jessica Silverman,” Artslant.

— September, “Mitzi Pederson at Ratio 3,” Artslant.

— September, “Sitting by the Dock of the Bay: A Discussion on the State of Art,” Artslant.

— September, “Scene & Herd: Trial by Fire,” Artforum.

— September, “Mark Roeder at Sister,” Frieze.

— September, “The Body Artist: The Performing Sculptures and Sculptural Performances of Martin Kersels,” Mousse.

— September, “Larry Johnson,” ArtReview.

— Summer, “Young LA Performers,” Style and the Family Tunes (Berlin).

— August, “The Hans Ulrich Obrist Map of the World,” Artslant.

— August, “The Making of The Americans: Robert Frank at MoCA,” Artslant.

— August, “California Conceptualism: Baldessari and Nauman at Cirrus,” Artslant.

— August, “Interview: Neil Beloufa,” Artslant.

— August, “Critic’s Pick: Karen Lofgren,” Artforum.

— August, “Didier Faustino,” Frieze.

— Summer, “Performance in Los Angeles,” Style and the Family Tunes (Berlin).

— July, “Black Market: Los Angeles,” Artforum.

— July, “Excerpted Primer on Appropriate Art World Etiquette (If There Even Is Any),” Artslant.

— July, “Work in a Range of Mediums: Simone Forti at The Box,” Artslant.

— July, “Jesse Redling Fleming,” Frieze.

— July, “Word Problems: Wrong—A Program of Text and Image at the Eighth Veil,” Artslant.

— June, “William Leavitt at Margo Leavin Gallery,” Artweek, Vol. 40, No. 5, pp. 14–15.

— June, “Tom Lawson,” ArtReview.

— June, “On Lifestyle: Los Angeles,” ArtReview.

— June, “One of the Landscapes Is Not Like the Other: Jedidiah Caesar,” Mousse.

— May, “Karthik Pandian at Richard Telles Fine Art,” Artweek, Vol. 40, No. 4, pp. 18–19.

— April, “Purity Contaminated: Nathan Hylden,” Style and the Family Tunes (Berlin).

— April, “Dan Graham,” ArtReview.

— April, “Los Angeles Playing Itself Again: The Beat and the Buzz by Richard Hertz,” Mousse.

— April, “Tourist Trap,” Artforum.

— March, “Fangbangers and Golden Globetrotters: On the Set of HBO’s True Blood,” Rolling Stone.

— March, “Richard Jackson, Franz Ackermann,” Artforum.

— February, “Golden Graham,” Artforum.

— February, “Portrait: Richard Phillips,” Muse (Italy).

— February, “Morgan Fisher at China Art Objects Galleries,” Artweek, Vol. 40, No. 2, p. 17.

— February, “‘Try Again. Fail Again. Fail Better’: Interview with Euan Macdonald,” Mousse.

— February, “California Biennial 08,” Frieze.

— January, “Another Woman,” Artforum.

— January, “California Dreaming,” Artforum.

— January, “Autarchic Wonderland and SlaveCity: Atelier Van Lieshout in Rotterdam,” Muse (Italy).

— January, “Friedrich Kunath at Blum & Poe,” ArtReview.

2008

— December, “Dig Forever and Never Hit Bottom: An Interview with Paul Sietsema,” Mousse.

— December, “The Legend of Anthony Burdin,” Mousse.

— December, “The Naked and the Damned: Vanessa Beecroft and Kanye West,” Rolling Stone.

— December, “Notes From the Underground,” LA CityBeat.

— November, “Julian Hoeber,” THE Magazine.

— October 15, “Sketches,” LA CityBeat.

— October 15, “Psychedelic Astronautical Pranksterism: Mungo Thomson’s Godstruck Struths,” LA CityBeat.

— October, “From Across the Desert, Comes a Prophet Bearing the Word and the Word Is ‘Light’: Turrell and the Roden Crater,” La Stampa (IT).

— Autumn, “From A to Z,” Paper Monument.

— Autumn, “Beating a Dead Horse: Images, Incantations, Agony, and the Figure in the Work of Matthew Monahan,” Mousse.

— September 18, “Sketches,” LA CityBeat.

— September 18, “A Hippopotamus Pirouetting: Martin Kersels’ ‘Heavyweight Champion’ of the World,” LA CityBeat.

— September, “Focus: Matthew Monahan at MOCA–LA,” ArtReview.

— September, “Karin Apollonia Müller at Karyn Lovegrove,” ArtReview.

— September, “Book Review: No One Belongs Here More Than You,” ArtReview.

— September, “Andreas Golinski at Via Farini,” ArtReview.

— September, “Leave the Land Alone,” Mammut #1.

— August 20, “Sketches,” LA CityBeat.

— August 20, “Looking at Los Angeles: This Side of Paradise at the Huntington,” LA CityBeat.

— August, “Cottage Industry,” Artnet.

— Summer, “Interview with Piero Golia,” Afterall.

— July, “Stairway to Heaven: Kori Newkirk at LAXART,” LA CityBeat.

— July, “Please Stay Out We’re Open at Redling Fine Art,” Artforum.

— June, “Nathalie Djurberg at Fondazione Prada,” ArtReview.

— May, “Gedi Sibony at Galleria Zero,” ArtReview.

— May, “Speck’n’Span: Bolzano,” Artforum.

— April, “California Video,” ArtReview.

— April, “After Recession, Performance Art Deemed Again Lame,” An Art Newspaper.

— April, “Something Vaguely Gay Supported by NEA,” An Art Newspaper.

— April, “You Are Free: On Self-Exploitation in Art,” An Art Newspaper.

— March, “Women in the City,” Mousse.

— March, “Critic’s Pick: Euan MacDonald,” Artforum.

— March, “Andy Warhol’s Blow Job by Peter Gidal,” ArtReview.

— February, “Cruising Richard Hawkins,” Mousse.

— January, “Lisa Anne Auerbach at David Patton Los Angeles,” ArtReview.

2007

— Winter, “Deleuze From A to Z,” Fillip (Canada).

— December, “Smock and Awe,” Artforum.

— December, “Slater Bradley,” Mousse.

— December, “Francis Alÿs at the UCLA/Hammer Museum,” ArtReview.

— November, “Stephen G. Rhodes at Overduin & Kite,” ArtReview.

— October, “Foot Traffic,” Scene & Herd, Artforum.

— October, “Critic’s Pick: ‘Männerphantasien’ at Chung King Project,” Artforum.

— September, “Rise & Sprawl,” Scene & Herd, Artforum.

— September, “Luxury Import,” Scene & Herd, Artforum.

— August, “Critic’s Pick: Matthew Higgs,” Artforum.

— July, “Focus: Alexandra Grant at MOCA Los Angeles,” ArtReview.

— Summer, “William Pope.L,” X-TRA, vol. 9, no. 5.

— Summer, “Trudi Gallery,” Beautiful/Decay.

— July, “Box Trot,” Scene & Herd, Artforum.

— July, “Critic’s Pick: Julie Orser,” Artforum.

— June, “Book Review: REAL LIFE: An Anthology,” ArtReview.

— June, “Critic’s Pick: Matt Chambers,” Artforum.

— May, “WACK!: Art and the Feminist Revolution,” ArtReview.

— May, “Critic’s Pick: Matt Greene,” Artforum.

— April, “Book Review: Mary Heilmann: Save the Last Dance for Me by Terry R. Myers,” ArtReview.

— April, “Critic’s Pick: Channa Horwitz,” Artforum.

— April, “Sarah Greenberger Rafferty at Sandroni Rey,” ArtUS.

— Spring, “Wolfgang Tillmans at the Hammer,” Beautiful/Decay.

— March, “Painting the Town,” Scene & Herd, Artforum.

— March, “Wack Pack,” Scene & Herd, Artforum.

— March, “Mario Ybarra, Jr.,” ArtReview.

— February, “Critic’s Pick: ‘Kinky Sex (Makes the World Go Round),’” Artforum.

— February, “Lighter Fair,” Scene & Herd, Artforum.

— February, “Everything Is Tiravanija’s but It’s Also Yours,” X-TRA, vol. 9, no. 3.

— January, “David Noonan at Kordansky Gallery,” ArtUS, issue 16, p. 19.

— January, “Delirious Los Angeles,” Scene & Herd, Artforum.

— January, “Sarah Greenberger Rafferty,” ArtUS.

​🎨 Curatorial Projects

2024

— “Burn After Reading: A Communal Reading and Ritual Burning,” with Jeanne Gerrity and staff, CCA Wattis, San Francisco (March 2024).

2020

— “5-7-5,” Ace Hotel, co-curator (September 2020).

2019

— “Kris Lemsalu,” Estonian Pavilion, Venice Biennale, co-curator (May 2019).

— “The 13th Floor,” French Professional Committee of Galleries, penthouse of the Roosevelt Hotel during FELIX, Los Angeles, CA (February 2019).

2018

— “Games People Play,” with Scoli Acosta, Neptune, Brest, FR (March 2018).

— “Lulennial II: A Low-Hanging Fruit,” with Chris Sharp, LULU, Mexico City (April 2018).

2015

— “In Search of an Author,” with Chiara Giovando, Kunsthalle UKS, Oslo, Norway (March 2015).

2014

— “Cherub,” with Brian Kennon, 2nd Cannons, Los Angeles, CA (March 2014).

2013

— “Present Future: Vanessa Safavi, Santo Tolone, and Naufus Ramírez-Figueroa,” with Gregor Muir and Beatrix Ruf, Castello di Rivoli, Turin, IT (November 2013).

— “Chris Johanson: Within the River of Time Is My Mind,” Museum of Contemporary Art, Los Angeles (June 2013).

— “Arte-Sur: Collective Fictions,” with Albertine de Galbert, Isabelle Le Normand, Jesse McKee, and Anca Rujoiu, Palais de Tokyo, Paris, FR (June 2013).

— “Chess Set,” Bolsky Gallery, Otis College of Art, Los Angeles, CA (May 2013).

— “Set Pieces,” with Lauren Mackler, Cardi Black Box, Milan, IT (February 2013).

2012

— “Treating Shadows as Real Things,” with Lauren Mackler, Church of the Holy Shroud, Turin, IT, part of Artissima LIDO (November 2012).

2011

— “On Forgery,” with Lesley Moon, LA><ART, Los Angeles, CA (May 2011).

2010

— “The Shortest Distance Between 2 Points Is Often Intolerable: New Art from Los Angeles,” Brand New Gallery, Milan, IT (January 2010).

— “Projects and Assignments,” Saprophyt, Vienna, AT (October 2010).

— “Dead Letter Office,” Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA (May 2010).

— Emily Mast, It Will Never Be Known How This Has to Be Told, Steve Turner Contemporary, Los Angeles, CA (March 2010).

2009

— Bruce Nauman, Untitled (Leave the Land Alone), 1969/2009, Armory Center for the Arts, Pasadena, CA (September 2009).

— Lawrence Weiner, Water in Milk Exists, West Coast premiere and talk with the artist, Cottage Home, Los Angeles, CA (July 2009).

— “Exquisite Corpse, or the Show That Curates Itself,” Mihai Nicodim Gallery, Los Angeles, CA (June 2009).

— Raymond Pettibon and Yoshua Okón, Hipnostasis, Armory Center for the Arts, Pasadena, CA (May 2009).

— Camilo Ontiveros, Deportables, Armory Center for the Arts, Pasadena, CA (March 2009).

2008

— The Dissemblists, Little Tree Gallery, San Francisco, CA (November 2008).

— Dave Muller, The Mullerstudio Library, Armory Center for the Arts, Pasadena, CA (September 2008).

— “A Chinatown Double Feature: How to… and Film Noir,” film series on Chung King Road, Los Angeles (July 2008).

— “You Whose Beauty Was Famous in Rome,” with Sarah Lehrer-Graiwer, Mandarin Gallery, Los Angeles, CA (February 2008).

📖Editorial Projects (Books and Brochures)

— Editor, Emilija Škarnulytė: Sirenomelia, Sternberg Press. 2021.

— Co-editor (with Lauren Mackler), The Foreign Correspondent, Public Fiction. Contributions by Charlie White, Jonathan Lethem, Isabelle Cornaro, Travis Diehl, Aude Pariset, and others. 2013.

— Editor, Bruce Nauman: Untitled (Leave the Land Alone) 1969/2009, Armory Center for the Arts, Pasadena, CA. — Editor, Hipnostasis: Raymond Pettibon and Yoshua Okón, Armory Center for the Arts, Pasadena, CA. — Editor, Camilo Ontiveros: Deportables, Armory Center for the Arts, Pasadena, CA. 2009.

— Research editor, David Wojnarowicz: A Definitive History of Five or Six Years of the Lower East Side, Semiotext(e). 2006.

​🎙️ Selected Panels, Lectures, and Juries

2025
— Juror, SHACK15 Art Prize, with Margot Norton (Berkeley Art Museum and Pacific Film Archive), San Francisco Bay Area.
— Juror and Initial Reviewer, Art Bae Award (in partnership with Safety Net Fund); final selection committee with Lucas Foglia and Inga Bard, San Francisco Bay Area.

2024
— Conversation, Lucy Sante, Stories Books, Los Angeles, CA.
— Performance night, Chromasexual (inspired by Colors), Sub Rosa, Oakland, CA.
— Reading/Performance, Smog Check Thursdays: Andrew Berardini + Lavender Diamond, The Broad, Los Angeles, CA.
— Reading/Ritual Performance, Burn After Reading: A Communal Reading and Ritual Burning (with Jeanne Gerrity and staff), CCA Wattis Institute for Contemporary Arts, San Francisco, CA.

2023
— Reading/Presentation, Colors, Skylight Books, Los Angeles, CA.

2020
— Co-curator, 5-7-5, Ace Hotel, Los Angeles, CA.
— Webinar/Conversation, ITALIAN CONTEMPORARY ART DAY: A conversation with Eugenio Re Rebaudengo and Andrew Berardini, online (December 7, 2020).

2018
— Panel/Conversation, In conversation: Maija Luutonen & Andrew Berardini, Kiasma, Helsinki, Finland.
— Lecture, International Inspiration #7: “One Break, A Thousand Blows!: How to Make Art History,” Estonian Academy of Arts, Tallinn, Estonia.

2017
— Juror, C Magazine New Critics Award, with Corrine Fitzpatrick (organized by C Magazine; editor: Kari Cwynar).

2016
— Reading, Scrivener's Monthly: Andrew Berardini Dreaming About Sunsets and Clouds with Kara Hansen, Western Front, Vancouver, BC.
— Talk/Reading, Still Life with Fruit and Flowers, Latvian Centre for Contemporary Art, Riga, Latvia.

2015
— Lecture, Art School of the Future, Te Ara Hihiko, College of Creative Arts, Massey University, Wellington, NZ.
— Talk, “Noise and the Possibility for a Future,” with John Wiese, Goethe-Institut, Los Angeles, CA.
— Panelist, “Counter Culture Forum,” with Martha Kirszenbaum, Robin Simpson, Raymond Boisjoly, and Helga Pakasaar, Presentation House Gallery, Vancouver, BC.
— Panelist, “Collage on the Page and in the Street,” Los Angeles Art Book Fair, MOCA Geffen, Los Angeles, CA.
— Reading, The Standard Book of Color, with Martha Kirszenbaum, MODEL, Vancouver, BC.
— Reading, “Gen F,” with Mary Woronoz, Bunny Visick, and James Hayward, Book Soup, West Hollywood, CA.
— Astrological readings (host), with Lisa Robertson, Banff Centre (May 13, 2015).

2014
— Reading, “Gen F,” Stories Books, Los Angeles, CA.

2013
— Lecture, Premio Bonaldi Prize Conference.
— Organized panel, Vancouver Art Fair, Vancouver, BC.
— Panelist, Colloquy: Parenting in the Art World, MOCA Grand, Los Angeles, CA.
— Panelist, Department of Cultural Affairs French Los Angeles Exchange Residency Panel, Los Angeles, CA.
— Guest lecture, USC Advanced Sculpture (instructor: Jonathan Pylypchuk), Los Angeles, CA.

2012
— Juror, Doctorow Prize for Painting.
— Juror, Illy Present Future Prize, Artissima, Turin, Italy.
— Panelist, “Parenthood in the Art World,” MOCA Colloquy, Los Angeles, CA.

2011
— Nominator, Doctorow Prize for Painting.
— Juror/Nominator, Scholastic Art & Writing Awards.

2010
— Conversation, with Joel Kyack and César García, Hammer Museum, Los Angeles, CA.
— Visiting critic lecture, Otis College of Art & Design, Los Angeles, CA.
— Panelist, curatorial panel with Shamim Momin, Pilar Tompkins Rivas, and Franklin Sirmans, Big City Forum, Los Angeles, CA.
— Moderator, The Escape Artist, panel with Dennis Oppenheim, David Levine, Charlie White, et al., Mandrake, Los Angeles, CA.
— Panelist, The Future of Arts Criticism, with Sharon Mizota, Sasha Anawalt, and Bennett Simpson, Museum of Contemporary Art, Los Angeles, CA.
— Panelist, The Ferus Gallery, with Hal Glicksman, Larry Bell, Hunter Drohojowska-Philp, and Carol Eliel, Art Los Angeles Contemporary, Los Angeles, CA.

2009
— Panelist, “Is Conviction in Painting Possible?”, panel moderated by Ed Schad, with Courtney Martin, Jens Hoffmann, et al., Honor Fraser Gallery, Los Angeles, CA.
— Moderator, Afterall Conversations, College Art Association Conference, with Richard Jackson and Piero Golia.
— Panelist, Art Criticism in Los Angeles, College Art Association Conference, Los Angeles, CA (moderator: Peter Frank).

2008
— Visiting lecture, “Documentary and Imagination: A Reductive History of Photography to the Present,” Broad Art Center, UCLA, Los Angeles, CA.
— Panelist, “Art and Education,” Rotterdam Dialogues: The Critics, Witte de With Contemporary Art Center, Rotterdam, NL.

2007
— Panelist, launch of REAL LIFE: An Anthology, with Susan Morgan, Thomas Lawson, Miriam Katzeff, and Andrea Bowers, REDCAT, Los Angeles, CA.
— Panelist, “Another Fifty Years of Little Magazines,” Afterall and Fillip launch, with Tom Lawson and Jordan Strom, Mandrake, Los Angeles, CA.

2006
— Assistant to the organizers, noulipo: Experimental Writing, conference, REDCAT, Los Angeles, CA.

2005
— Assistant to the organizers, Séance in Experimental Writing, REDCAT, Los Angeles, CA.

​🌟 Special Projects

— Collaboration/Performance, Pierre Huyghe’s The Public Writer, Mountain School of Arts 20th Anniversary, Los Angeles, 2025.

— Collaboration/Performance, Pierre Huyghe’s The Public Writer, Pierre Huyghe Retrospective, Los Angeles County Museum of Art (LACMA), Los Angeles 2015.

— Contributor, B. INGRID: THE VASES MY MONITORS THEIR FRAMES, curated by Alex Ross; with contributions by Andrew Berardini, Cecilia Canziani, and Quinn Latimer, cura.basement, Rome, 2014.

— Performance/Collaboration, On Record: Endurance Conversation, LA Art Book Fair, MOCA Geffen, Los Angeles, 2014.

— Program Notes, “Some Notes on Space and Chance, Sound and Sonority,” Calder Quartet performance of works by John Cage, Morton Feldman, and Christian Wolff, in The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns, Barbican Gallery, London, May 2013.

— Conversation/Collaboration, “Two Women in Conversation,” with Brian Kennon, NERO Magazine, Rome, 2012.

— Collaboration, A Small Bouquet, with Natalie Czech, Kunstverein Langenhagen, Langenhagen, Germany, 2011.

— Solo Exhibition, The Lost Works of Andrew Berardini, curated by Amanda Browder, Raid Projects, Los Angeles, 2008.